Sequences sensitively split between dancing in hard shoes, soft shoes and in bare feet, the variance in sound, rather than an incessant hard shoe tapping, drives home more deeply how much of Irish dance is actually percussion of the body.The bare foot sequences are the most beautiful of all, accentuating the duality between the vulnerability on the one hand, and incredible strength and speed on the other, of the dancers.
It goes to some quiet places, and puts a demand on its dancers for emotional intelligence and personal progression that is more commonly seen in contemporary dance.
Aon also draws on many elements more familiar from the Tanztheater tradition: the use of props, song, characterisation and dancers’ voices.
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If dance is the language of the body, then, it must do the same.