Most TV GIMPage is pretty lame, but this scene, and also the recent Yvonne Stahovski scene on "24", were the exceptions to the rule.This was actually a really good scene, and what made it stand out was because it was both good AND on television, albeit foreign television.We all know of legendary titles which have vanished, but what about those from which only a tantalizing promo shot remains?
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In my opinion, the individual tormenting the GIMP in any of these situations is going to be bad (as in evil).
Even though perps in both camps may rationalize their behavior as being acceptable, necessary or even virtuous, I don't think Saint Peter would be impressed.
Covers: The more MAM covers you post, the more I miss these 'zines. Ralphus: Thanks for clipping the “Senora Acero” scene, but as with most television GIMP, there is so much wasted potential here.
First off, Blanca clearly has a body to die for, but the director goes to ridiculous lengths to make sure we don't see much of it.
I'd love to see more of what's out there (though I suspect there isn't much), and perhaps some of the local old-timers might even recognize a scene or two.
In part I've written this ambling pre-amble to justify posting my own mystery movie still (and I'm not even positive it's from a film, though it certainly looks like it).
Obviously, the woman's interrogators would rip off her clothing to remove the cash strapped to her body (did Martin “I-never-film-rapes” Scorsese watch this?
), so why the hell is she shown fully clothed and not much worse for wear after the money is gone?
I guess because they let her stay dressed, there wasn't much exposed skin left to use. And despite all the build-up and sophisticated hardware, the electro torture lasts a little over ten seconds in a seven minute clip that doesn't have much else to offer other than a lot of shouting, shaking and mild slapping around. but they had to devise that because of the lack of a "cultural background" to the game rules, that intends to be universal) That's why I put the stress on the victim.