Backstories about the process of getting the stories into print will be of particular interest to those who want to help others tell their life stories. (Or start here at Broadhead and click on Welcome to Pine Point.) Savor.
"At last, a collection that shows the 'why, what, and how' behind memoir as legacy." ~ Susan Wittig Albert, author of WRITING FROM LIFE, founder of Story Circle Network Welcome to Pine Point, an interactive documentary, part scrapbook, part video, part book, part community memoir. STING: "Well, I've never thought that I would write a book, frankly.
I've really forgiven people in my life and forgiven myself. "This is the truest thing anyone can do," says Pat Lee, quoted in the story "Library helps memoirists tell their story" (Alex Parker, Chicago Tribune 10-16-09) I wanted it to sound natural, he said.
All demonstrate the power of the word to salvage from the onrush of life, nuggets worth saving. bonds people together far more than shared chromosomes . And it had a profound effect upon me." ~Mary Caplain, about her experience doing a 40-minute interview with Story Corps (link below)I can't stress enough how different it is to write about the real and the unreal.
~ Tristine Rainer, author of Your Life as Story and Writing the New Autobiography"Do I -- do we -- remember only those scenes that fit neatly into the central narrative in which we're most invested, the one that dovetails most cleanly and neatly with the sense of self that we've chosen or that's been imposed on us by the people around us? When I started writing my memoir my whole metabolism changed.
I was honour-bound really to dig deep and bring memories, perhaps, that had been suppressed for a long time, that I would have preferred, perhaps, to remain in the sediment of my life.
But having done that and having got through this process, I now feel so much better. And I'm advising everyone I meet, all of my friends and everybody - people in the street, 'Write your own book.' Whether you publish it or not, it feels really good." ~ from Katie Couric's interview with the musician Sting, about his book Broken Music Ultimately, memoir writing is about giving a piece of oneself to history.
I started out the way I was raised, in the old-time mountain style, and Ive never wavered from it. I think that means a whole lot to the audience the people knows exactly what to expect. As everyone has said, something happens in that booth, where your very private thoughts that rumble around in your head and your memories suddenly come forth, and the voice that Dave just talked about, thats your soul.
Old-Timer, Still Telling Mountain Tales Charles Mc Grath, NYTimes, about Ralph Stanley, old-time mountain music artist, and his new memoir, Man of Constant Sorrow: My Life and Times, written with Eddie Dean My Words Are Gonna Linger: The Art of Personal History , ed. "At last, a collection that shows the "why, what, and how" behind memoir as legacy. Somehow it reaches down and touches that part of us thats not often touched....
I've just never known what to expect nextbut it all happened whether I was ready or not." ~ From a story on coastal181about the autobiography of Kenny Wallace, a popular NASCAR driver and SPEED TV personality, written with Joyce Standridge Storycatching, life telling, life writing (visually, orally, in print, audio, video) capturing a life story and life lessons for future generations Do it yourself or hire a personal historian (your memoir ghostwriter) to help!
(this section has its own table of contents)(in several categories: Writing personal and family histories, Memoir writing as discovery, Memoirs, healing and self-understanding, Memoirs from writing prompts, Anthologies, The art and craft of memoir and biography)Everyone has a story to tell but many of us need help telling it or finding the time to record, collect, and edit the stories of other family members.
People do it all the time: they destroy papers; they leave instructions in their wills for letters to be burned." "Bell wrote in 2001, to announce that he had finished the first part of his archive, he said that the obsolescence of software and technology was a threat to a computer archive. I wrote an article called Dear Appy for applications.
A lot of things you may not be able to read a decade later, he said. Basically, it was saying, Dear Appy, How committed are you? Data can be lost in a disk, in a system, it can be lost in a standard somewhere. If you look at all the problems that we can think about in the decade, ten, fifty, a hundred years, thats by far No. The one that bugs me more than anything else is that. " in The New Yorker"When Ken Schrader told me Herman's story would not be the one people would expect, I was intrigued. And by the time we finished he had made me realize that he is one of the most fascinating people to ever strap on a helmet.
Going Home Again (David Brooks, NY Times, 3-20-14).