If you don’t express your femininity, then you’re seen as frigid. No one says, ‘Oh, what a slut’ to a cat.” “You also see so many men in the film who tend to these cats, and have this opportunity to be affectionate with a feminine being without it being misinterpreted,” she explains.
“Male-female relationships in Turkey are stunted, and they can express these kinds of emotions in a healthy way — you know, with other creatures like cats.” There’s also a sense of camaraderie and community that’s built from each neighborhood taking care of its cats together.
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“Although Turkey is still one of the most advanced in terms of women’s rights, culturally, it’s still a little bit backwards,” Torun says.
“If you do express your femininity, then you’re seen as a ‘loose’ woman.
For a film that feels like a response to troubled times, there’s very little politics in the film — no mention of terror attacks or Erdogan.
“[The relationship between humans and cats] is a very timeless relationship and it would be an injustice to the cats and to the people who love them to suggest otherwise,” Torun says.
There’s even a popular saying in Turkey that goes: “If you’ve killed a cat, you need to build a mosque to be forgiven by God.” (Don’t worry: No cats die in this film.) There’s something very feel-good about, but Torun admits the film’s lack of conflict was hardly intentional.
“Initially the idea was to get every side of the story,” she says.
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